{"product_id":"glinka-ivan-susanin","title":"Glinka: Ivan Susanin","description":"\u003cp\u003eIvan Susanin\u003c\/p\u003e\n\u003cp\u003eMiroslav Čangalovi\u003cspan data-mce-fragment=\"1\"\u003eć\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMarija Glavačević\u003cbr\u003eDrago Starc\u003cbr\u003eMilica Miladinović\u003cbr\u003eVladeta Dimitriević\u003cbr\u003eBogolub Grubač\u003cbr\u003eIvan Murgaški \u003cbr\u003e\u003cbr\u003eYugoslav Army Chorus\u003cbr\u003eBelgrade National Opera Orchestra\u003cbr\u003eOskar Danon\u003c\/p\u003e\n\u003cp\u003eBeeping Classics BGO010 [ADD, 169:39] \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e   \"Miroslav Cangalovic lavishes his cavernous, all-encompassing bass on the title role of Susanin.  Marija Glavacevic's glass-shattering brilliance and variety of expression (a Slavic equivalent to Bidu Sayao or Lily Pons) make the role of Susanin's daughter Antonida particularly sympathetic. Drago Starc brings his bright, gleaming tenor to the heroic phrases of Sobinin, Antonida's betrothed; and the pants role of Vanya (Susanin's adopted son) is sung by Milica Miladinovic with a voice of iron and velvet that evokes both boyish virility and vulnerability. The Yugoslav Army Chorus exhibits a marvelous unstudied enthusiasm, so different from today's opera choruses, who often sound too refined to be soldiers or peasants.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e                             American Record Guide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e Not available in U.S. \u003c\/p\u003e","brand":"Beeping Classics","offers":[{"title":"Default Title","offer_id":37136094757013,"sku":"","price":20.0,"currency_code":"CNY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0495\/4134\/9525\/products\/BC1704B.jpg?v=1604264056","url":"https:\/\/beeping-classics.myshopify.com\/products\/glinka-ivan-susanin","provider":"Beeping Classics","version":"1.0","type":"link"}